Tom McCarthy

C
, 2005
»C» follows the short, intense life of Serge Carrefax, a man who — as his name suggests — surges into the electric modernity of the early twentieth century, transfixed by the technologies that will obliterate him. Born to the sound of one of the very earliest experimental wireless stations, Serge finds himself steeped in a weird world of transmissions, whose very air seems filled with cryptic and poetic signals of all kinds. When personal loss strikes him in his adolescence, this world takes on a darker and more morbid aspect. What follows is a stunning tour de force in which the eerily idyllic settings of pre-war Europe give way to the exhilarating flight-paths of the frontline aeroplane radio operator, then the prison camps of Germany, the drug-fuelled London of the roaring twenties and, finally, the ancient tombs of Egypt. Подробнее
Men in space
, 2008
Set in a Central Europe rapidly fragmenting after the fall of Communism, this title follows a cast of dissolute Bohemians, political refugees, football referees, deaf police agents, assassins and stranded astronauts as they chase a stolen icon painting from Sofia to Prague and beyond. Подробнее
Remainder
, 2011
McCarthy's debut novel, set in London, takes a clever conceit and pumps it up with vibrant prose to such great effect that the narrative's pointlessness is nearly a nonissue. The unnamed narrator, who suffers memory loss as the result of an accident that «involved something falling from the sky», receives an £8.5 million settlement and uses the money to re-enact, with the help of a «facilitator» he hires, things remembered or imagined. He buys an apartment building to replicate one that has come to him in a vision and then populates it with people hired to re-enact, over and over again, the mundane activities he has seen his imaginary neighbors performing. He stages both ordinary acts (the fixing of a punctured tire) and violent ones (shootings and more), each time repeating the events many times and becoming increasingly detached from reality and fascinated by the scenarios his newfound wealth has allowed him to create — even though he professes he doesn't «want to understand them». McCarthy's evocation of the narrator's absorption in his fantasy world as it cascades out of control is brilliant all the way through the abrupt climax. Подробнее

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